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Game Review: Band Frontman Jason Williamson Takes On Character in Critical Look at 90s Rave Culture

The work of Bristol sound co-founder the musician-producer, this sharp-edged though undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Venal pillhead David (Marc Bessant) first robs an unconscious dealer, then in another flashback tries to break into his own parents. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the rave-era youth were primarily out for themselves – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Still, a grimly amusing duel takes hold – David desperate to escape; the Woodsman withholding his jerrycan of cider, intent on dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Promo-Inspired Sensibility

Just a single important plot development, but it results in a comically executed rampage on the woodland paths that dips close to folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full psychedelic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

Game is in UK and Irish theaters from November 17.

The writer

Elizabeth Lowe

Film critic and historian with over a decade of experience analyzing global cinema and emerging film trends.

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